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| Cindy Sherman Retrospective The Museum of Modern Art, New York |
Roberta Smith writes in The New York Times, Cindy Sherman "may be the first woman in modern art history whose career c… twy.la/xxrWn5
— JKLFA.com (@JKLFA) February 24, 2012
Cindy Sherman currently has a Career Retrospective at The Museum of Modern Art until June 11, 2012, which has received unanimous praise along with reassessment from Art Critics around the world.
Credit Cindy Sherman for changing the definition of Contemporary Art. For decades, Contemporary Art Collectors, Galleries and Auction Houses viewed Photography as if it was "not as important" as Contemporary Painting and Sculpture.
Cindy Sherman's Untitled #96 1981 Photograph from the Centerfold Series of 12 images, commissioned by Artforum, sold for $3.895 million in May 2011 at Christie's New York, making it the most expensive photograph ever sold; it held that record until November 2011.
The many faces of Cindy Sherman. bit.ly/CindyShermanMO…
— JKLFA.com (@JKLFA) March 19, 2012
Cindy Sherman started her classic Untitled Film Stills series in 1977; she dressed herself in other people's lives and clothes, and documented the result. They seemed to make every woman the typecast star of her own film. Since then, she has photographed herself in female roles from a rotting corpse to a Renaissance queen.
While Cindy Sherman has photographed herself in a variety of roles, including a young ingenue; centerfold portraits, history portraits; society women and even clowns, the photorgraphs are not meant to be self-portraits.
| Cindy Sherman Untitled #425, 2004 |
Cindy Sherman has created some of the most fascinating, provocative, and, at times, amusing photographs of the last 35 years, exploring and subverting images of women in cultures high and low, and always acts as her own stylist.
Ingrid Sischy commentary of Cindy Sherman photos in Artist's MOMA Retrospective.vnty.fr/CindyShermanSl…
— JKLFA.com (@JKLFA) February 24, 2012
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| Cindy Sherman Film Still #48, 1979 |
Cindy Sherman reflects to Ingrid Sischy, “I’m more posing than I’m acting.” And the pose here is spot-on. In 1979, Sherman was driving across the country with her folks, and when she spotted this potential picture, she got them to stop the car.
Thinking fast, she pulled her costume and wig out of her suitcase, in the trunk; her dad pressed the shutter, and voilĂ ! One of the most unforgettable, iconic and covetted American images of the 20th century.
According to Ingrid Sischy, Cindy Sherman still has the skirt and the suitcase among her props in the studio.
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| Cindy Sherman Photograph She Calls A "Sketch" |
Cindy Sherman Early Works Exhibition starts 1.11.13 at Gucci Museum, Florence, Italy.on.gucci.com/Vsjlbx
— The Fine Art Blog (@thefineartblog) December 31, 2012
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| Cindy Sherman In A Rare Pose, not in character |
Christie's is going to auction an iconic Cindy Sherman photograph, “Untitled #96,” also titled “Orange Sweater,” on May 8, 2012. Estimated at $2.8 - $3.8 million, the Cindy Sherman 1981 Centerfold, from an edition of 10, will most likely exceed the $4.3 million record price paid last Fall for Andreas Gursky's Rhine Photograph.
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| Cindy Sherman Untitled #98 Centerfold expected to fetch $4 million |
Another impression of Cindy Sherman's "Orange Sweater", 1981, also from the edition of 10, fetched $3.9 million, also at Christie's, and at the time, acheived both a record price for the Artist and was the highest price ever paid for a photograph until the Gursky Photograph achieved $4.3 million.
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| Cindy Sherman Untitled #193, 1989 |
"I think of Cindy Sherman as an Artist who only gets better" writes Jerry Saltz.bit.ly/SaltzOnShermanIt was only a matter of time before Sherman took on History Portraits as an homage to Western Art, particularly the European tradition. She did not do it in a calculated or scholarly way—more like feasting from the buffet.
— JKLFA.com (@JKLFA) February 24, 2012
| Cindy Sherman Photography on Pinterest Curated by Joseph K. Levene Fine Art, Ltd. |








